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2009 ¼¿ï±¹Á¦½ÇÇè¿µÈÆä½ºÆ¼¹ú(EXIS) ¶óÀ̺ê»ö¼Ç¿¡¼ 'live Film_crash' »ó¿µÀÌ ÀÖ½À´Ï´Ù.
live Film_crash »ó¿µ ÀÏÁ¤: 2009³â 19¿ù 11ÀÏ(±Ý¿äÀÏ) ¿ÀÈÄ 8½Ã30ºÐ
Àå¼Ò: ¼¿ï ¾ÆÆ®½Ã³×¸¶ & www.undergroundartchannel.net
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http://www.ex-is.org/Nicecart4plus/Shop/Cart/search_movie.html?SubID=A45B52
ÇÁ·ÎÁ§Æ® live Film_crash (live + streaming visual sound film)
live FilmÀº µðÁöÅÐÇʸ§¹Ìµð¾î°¡ °¡Áø Ç¥Çö ¹× ¼ÒÅëÀÇ ¶Ç ´Ù¸¥ °¡´É¼ºÀ» ¶óÀ̺ê, ÁïÈZ°ú ³×Æ®¿öÅ·À» ¸Å°³·Î ½ÇÇèÇÏ´Â ºÒ¿ÏÀüÇÑ Çʸ§ÀÌ´Ù. ÀÌ ÇÁ·ÎÁ§Æ®´Â ½Ã°¢¿¹¼ú, »ç¿îµå¾ÆÆ®¿Í ¿µÈÀÇ °æ°è¸¦ À¯¿µÇÏ¸ç ½ÇÇèÇÏ°í ±â·ÏÇÑ´Ù.
Crash(Ãæµ¹, ¿Í¸£¸£, Äô, Äç, ºØ±«, °íÀå, ÆøÁÖ µîÀÇ Àǹ̸¦ Áö´Ô)´Â live FilmÀÇ 2¹øÂ° ¹öÀüÀÎ Crash´Â Ä«¸Þ¶ó, ½ºÅ©¸° ±×¸®°í ½Ç½Ã°£ ¿µ»óÁ¦ÀÛ ÇÁ·Î¼¼½Ì°ú °¨µ¶ÀÇ ÆÛÆ÷¹ÖÀÌ °áÇÕÇÏ´Â °úÁ¤¿¡¼ »ý°Ü³ª´Â ´Ù¾çÇÑ ½Ãû°¢Àû Çö»óÀ» º¸¿©ÁØ´Ù. ¹Ý¿µÀ̶õ Ű¿öµå¸¦ °³³ä°ú ¹æ¹ý·ÐÀûÀ¸·Î Àç ÇØ¼®ÇÑ Ã¹ ¹øÂ° Çʸ§ Spiegelung°ú ´Þ¸® Crash´Â ÀÌÁúÀû µÎ »ç¿îµåÀÇ Ãæµ¹°ú °áÇÕÀ» ÁïÈïÀûÀ¸·Î À籸¼º ±ØÀå°ú À¥ ½ºÆ®¸®¹ÖÀ» ÅëÇØ Çö½Ç°ú À¥»ó¿¡¼ »ó¿µµÇ´Â 1ȸÀûÀÎ Çʸ§ÀÌ´Ù.
´ëÁßÀû, Ä£±ÙÇÔ, Áñ°Å¿ò VS ³·¼³À½, ºÒÆíÇÔ, ¼Ò¼ö µîÀÇ ´Ü¾îµéÀÌ ÀÌ ¿µÈ¸¦ ÅëÇØ Á¶¿ìÇÏ°í ±äÀå°ü°è¸¦ ±¸ÃàÇÏ¸ç °ü°´ÀÇ ¿À°¨°ú »ý°¢ÀÇ ÀÚ±ØÀ» ÅëÇØ ½ÇÇèÀ̶õ Ű¿öµå¸¦ ÀçÇØ¼®ÇÏ°Ô µÈ´Ù.
Project ¡°live Film¡±is an incomplete film, experimenting another possibility of expression and communication that digital film media holds with live, spontaneity and networking as the medium. This project crosses between the boundary of visual art, sound art and film to experiment and record. Crash(implying collision, wa-ruru, kung, kwang, collapse, defect, reckless driving), the second version of live Film, depicts various visual phenomena which arises from the uniting course of camera, screen, live image production processing and director¡¯s performing. Different from the first film Spiegelung which reinterprets the keyword reflection in its concept and methodology, Crash is a one-time film screened in reality and on the web through theatres and web streaming featuring ad hoc reconstruction of the collision and combination of two heterogeneous sounds. Mainstream, familiarity, pleasure VS strange, uncomfortable, minority, etc words are provoked through this film, building up tension and through the stimulation of the audience¡¯s five senses and thoughts it reinterprets the keyword experiment.
live Film_Crash Á¤º¸
µð·¢ÅÍ & ¹Ìµð¾î_ÆÛÆ÷¸Ó : ¼®¼º¼®Suk, Sung_Suk
»ç¿îµå : ·ùÇѱæRyu, Han_Gil & µðÁ¦ÀÌ Äí¸¶DJ Kuma
Á¦À۳⵵ : 2009
·¯´×ŸÀÓ : 20 ºÐ
Æ÷¸Ë : Ä÷¯/½ºÅ×·¹¿À/live
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º£¸¦¸° ¿¹¼ú´ëÇÐ(UdK)¿¡¼ ¿µ»ó°ú ¹Ìµð¾î¾ÆÆ®¸¦ °øºÎÇÑ ¿¬ÃâÀÚ ¼®¼º¼®Àº 1998³â ÀÌÈÄ "ÀüÀÚÃÊ»óElectronic Portrait" ¿Ü ´Ù¼öÀÇ ½ÇÇèÀûÀÎ Film & ºñµð¿À ÀÛǰÀ» Á¦ÀÛ ÇÏ¿´À¸¸ç EXiS2005, Senef µî ´Ù¾çÇÑ ±¹³»¿Ü Æä½ºÆ¼¹ú, ¹Ìµð¾î¾ÆÆ® °ø¿¬ ¹× Àü½Ã¿¡ Âü¿©ÇÏ¿´´Ù. °ø¿¬ÀÛǰÀ¸·Ð ¾îµµºñÁê¾óÄܼƮ live Film_Spiegelung¡±°ú ¡°KINORA_AV live¡±¸¦ ¿¬ÃâÇÏ¿´À¸¸ç ¿¬±Ø ¡°Áø¾ØÁØ¡±°ú ¡°ºóÄ¿°¡ ¾øÀ¸¸é ³ª´Â ³Ê¹« ¿Ü·Î¿ö"(±Ø´Ü ±×¸°ÇDZ×)ÀÇ ¿µ»ó¿¬ÃâÀ» ¸Ã¾Ò´Ù. ÇöÀç °æÀÏ´ëÇб³ »çÁø¿µ»óÇкΠ±³¼ö·Î ÀçÁ÷ ÁßÀÌ¸ç ¹Ìµð¾î¾ÆÆ¼½ºÆ®ÀÌÀÚ °æ°è¿¹¼ú°¡µéÀÇ ³×Æ®¿öÄ¿ ¾ð´õ±×¶ó¿îµå¾ÆÆ®Ã¤³Î(www.undergroundartchannel.net) µð·¢ÅͷΠȰµ¿ ÁßÀÌ´Ù.
Suk Sung-Suk majored in visual communication(image and media arts) at Universität der Künste Berlin (UdK), and has made a number of film and video works including the ¡°Electronic Portrait¡± (2002) series since 1998. Since 2005, he has been focusing his attention on experimenting on forms of film and on the communication methods of media plus art through projects such as real-time film project ¡°live Film,¡± and the underground art broadcasting center ¡°Underground Art Channel.¡±He is currently employed at the faculty of the Department of Photography and Image at Kyungil University, and is working as a media artist and director for Underground Art Channel ( http://www.undergroundartchannel.net).
»ç¿îµå
·ùÇѱæÀº ¹Ìµð¾î ¿¬ÁÖȸ ¡®RELAY : Free Improvisation meeting¡¯ÀÇ ±âȹÀÚ/¿¬ÁÖÀڷΠȰµ¿ ÇßÀ¸¸ç Otomo Yoshihide, Alfred Harth, Gunter Muller, Taku Sugimoto, Toshimaru Nakamura, Erik M, Taku Unami, Jason Kahn, Mattin µî°ú °°Àº ±¹Á¦Àû À½¾Ç°¡µé°ú ÇÔ²² Çù¾÷ ¹× Ȱ¹ßÇÑ ±¹³»¿Ü °ø¿¬È°µ¿À» ÆîÄ¡°í ÀÖ´Ù.
Sound
Han-Gil Ryu worked as a planner/performer at the media performance ¡®RELAY : Free Improvisation meeting¡¯ and continues cooperative performing activity local and internationally with international musicians including, Taku Unami, Jason Kahn, Mattin, etc.
DJ Kuma´Â Çѱ¹ ÀÏ·ºÆ®·Î´Ð ´í½º ¹ÂÁ÷¾ÀÀ» ´ëÇ¥ÇÏ´Â µðÁ¦À̷μ ±¹³»¿¡¼ ¿¸®´Â Å©°í ÀÛÀº ÆÄƼ³ª Æä½ºÆ¼¹ú¿¡¼ Ç×»ó ¼·¿Ü 1¼øÀ§·Î ¼Õ²ÅÈ÷´Â ´ëÁßÀû DJÀÌ´Ù. ÃÖ±Ù µ¶ÀÏ¿¡¼ ¿¸° ¼¼°è ÃÖ´ë ±Ô¸ðÀÇ ÀÏ·ºÆ®·Î´Ð ´í½º ¹ÂÁ÷ Æä½ºÆ¼¹ú ¡®Love Parade 2008¡¯¿¡ Çѱ¹ ´ëÇ¥·Î ÃÊû¹Þ¾Æ ±¹Á¦ÀûÀ¸·Î ±×ÀÇ ½Ç·ÂÀ» ÀÎÁ¤ ¹Þ¾Ò´Ù.
Representing the electronic dance music scene in Korea, DJ Kuma is the number one mainstream DJ to perform in big and small festivals or parties in Korea. Recently, DJ Kuma was invited as the representative of Korea in the internationally largest scale electronic dance music festival ¡®Love Parade 2008¡¯and was acknowledged for his talent.
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DATE 09/09/06 14:16
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